Queen Maeve

Queen Maeve
Maeve, by J.C. Leyendecker, 1907

Saturday, November 9, 2013

The Lady and the Power of Air


The Lady and the Power of Air

 By Ian Elliott    Oct. 15th, 2013

  

As pagans, we are aware of being children of Mother Earth.  She carries us with her from life to life as she evolves at the slow pace of goddesses; for, as a good Mother, she wants to take all of her children with her in her evolutionary journey. 

Pagans are therefore in no hurry but, as a courtesy, should wish to develop their awareness to the next level, so as not to be a burden to their Mother but rather help her along. 
 
Life thus is school for the children of Earth, and for those who wish to evolve more swiftly, becoming proctors, as it were, in her school, special schools called mystery schools are provided in each age.  The Craft of the Wise is one such mystery school.

 A mystery school is so called precisely because its teaching and discipline are designed to effect an evolutionary leap for its successful pupils, who therefore progress towards a consummation which cannot be conceived at the beginning of their studies. This evolutionary leap is called the transmutation in the Craft, and it will occur in some future life, whether during a gross material incarnation here in Middle-Earth, or while in the ætheric body in the Summerland, during the sojourn between lives.  Until then, witches will probably still need to be reborn, but the number of reincarnations will be fewer.  Along the way in the Craft there are anticipations of the eventual transmutation in the form of initiations.

Awareness or consciousness is held to consist of four principal powers plus a fifth, which must be cultivated together in a balanced fashion for awareness to develop.  These are the power to know, to will, to dare, and to keep silence or still.  When these are cultivated together for a sufficient time, with the help of the Lady and the demigod known as the Lord or Lad, a fifth power, the power to go (that is, to go on ætheric journeys), is the result.  These five powers are the inner elemental powers of the classical elements of Air, Fire, Water, Earth and Æther, respectively.  Each forms a body within the gross material body of the witch, and each is nourished by its appropriate food.  Air is nourished by proper breathing, Fire by proper perception, Water by proper drinking, Earth by proper nourishment of solid food, and Æther by proper awareness. 

Our Western tradition of the Craft comes from the last mystery schools of Egypt, which were still extant in the late Saitic period just preceding the Persian conquest.  Some of them, along with schools in Babylon, lasted until the time of Alexander the Great.  The Egyptian wisdom was taught to the sage Pythagoras, who brought it to southern Italy, where for some time the Etruscan aristocracy patronized the Pythagorean communities there, and it found further development in the teachings of the sage and wizard Empedocles, who taught the doctrine of the elemental powers. [1] The mystery teachings of Babylon were brought west by the philosopher-sage Poseidonius, [2] and the schools of Italy were revived by the wisdom brought all the way from India in the first century C.E. by the sage and wonder-worker Apollonius of Tyana.  It is likely that he was the one who brought the teachings of the Grigori, the Watchers of the four quarters, from the school of the Medes in Babylon, where they were called the Iygges. [3]

The mystery schools of Italy survived the catholic persecution into the Dark Ages, with branches in the Basque country, whence they crossed the Bay of Biscay (which means Basque) to Devonshire and Cornwall.  This is only one strand of historical development which led to the secret cult of Witchcraft in medieval Britain.  The Bacchic Mysteries entered into the Craft as well.  Some of the arcana, such as the teaching of the Watchers, were preserved in ceremonial magic, as taught for instance in the school of Toledo. [4] Later there was a confluence of this teaching with that of folk magic.  Gerald Gardner depicted this process of amalgamation of the two traditions fictionally in his novel High Magic’s Aid. [5]
The Lady of Witchcraft has three aspects: Maiden, Mother and Crone.  While she favors different times of the year, day and the lunar month with these aspects, she is also “old or young as she wishes.” [6] This means that she can manifest as Maiden, Mother or Crone on any occasion, and exhibits her influence in ways not dependent on the time of day, lunar month or year. 

The Maiden governs purification, the Mother consecration, and the Crone charging or transmutation. 

Purification involves the clearing out of stale energy, to make room for fresh.  Stale energy was referred to by the ancients as ‘miasma,’ and was regarded as poisonous.  Spring cleaning is an age-old method of purification, traditionally carried out in February, when the Maiden returns.  The name ‘February’ refers to purification. 

The office of the Maiden is evident in the fact that if we want some new thing to come into our lives, we must relinquish some old thing.  Some New Age writers like to suggest that we can immediately access abundance.  They fail to recognize the fact that our hands are never empty.  Thus, we always already have abundance, though it may include elements we would rather go without. 

We already contain within ourselves all the magical energy or personal power we need to develop, but much of our energy is locked up in habits which squander it without giving us a profitable return on our efforts.  These include nervous movements, expressions of negative emotion, and inner conversations and imagination.  In order to develop as witches, we must free our energies from these energy knots, and we do so by engaging our efforts with the offices of the Maiden.

Knowledge, like air, seeks to penetrate everywhere, and all living beings share it among them.  Different creatures have different capacities for using air and knowledge, and we see this variation even among members of the same species.  Humans differ in how they make use of air and knowledge, according to whether or not they engage with the energy of the Maiden.  Some people know a lot of information, but they typically pigeonhole anything new in terms of the old, saying “that sounds like…” Academics in particular are subject to this gradual ossification of their understanding.  Past a certain age, they settle down in their opinions and appear incapable of learning anything really new.  Their knowledge is often very intricate, but its subtle interconnectedness actually serves to exclude new, fresh knowledge, such as that which they started with in youth and which guided them in laying the foundations of their future prison.  In this they are like people who almost never take full breaths of air, starting with a full exhalation.  A full exhalation exhibits the Maiden’s power as manifested in breathing.

So far we are speaking of knowledge in general, but in this paper we are concerned with that special knowledge which advances us in the Craft.  In order to receive new understanding from the Watcher of the East, we must make room for it by hearing new knowledge as new, as if we had never encountered anything like it before.  This is how we took in knowledge in youth, when it excited us and began building the foundation of our inner home.  If we take in a teaching as mere information, as being on the same level as a novel or academic textbook, it will pass through us like sands in an hourglass; we shall retain nothing energizing from it.

The Mother governs consecration.  Consecration inaugurates a path which we follow throughout life, and which involves a deep sense of commitment on the part of the learner.  The new knowledge freed from miasma by the Maiden is brought into focus by the Mother and lives within the witch like an unborn child. The same process takes place with the magical purpose.  It is divined through the offices of the Maiden, but conceived within witch or wizard by the fructifying power of the Mother.  Thereafter, as long as we keep it alive and nourish it, the Mother will cause it to grow within us, until when we are ready to cast the spell, when we shall be pregnant with it, and ‘heavy with child.’

The Crone governs charging or transmutation.  Her touch is the touch of initiation, of change of consciousness.  She is not gentle like the Mother, but cataclysmic.  The casting of a spell is like giving birth, which (if I as a male may presume to say so) is far from easy.  At any rate, this is the closest a male witch, a wizard, can come to the ordeal of childbirth endured by women.  Whether casting a spell or undergoing initiation into one of the degrees of the Craft, one must engage one’s efforts and focused energy with the transforming power of the Crone.

 

*

 

Bibliography

 

 

GARDNER, Gerald B., ‘Scire’, High Magic’s Aid, New Bern, NC, Godolphin House,

         1996.  Published originally in 1946.

 

GRAVES, Robert, The White Goddess, New York, Farrar, Strauss and Giroux,             1993.

 

MEAD, G.R.S., Apollonius of Tyana, New Hyde Park, NY, University Books, 1966.

 

NAHM, Milton C., Selections from Early Greek Philosophy, New York, Meredith,

1964.

 

Princeton University article on Posidonius: http://www.princeton.edu/~achaney/tmve/wiki100k/docs/Posidonius.html

 

 

 

 



[1] Nahm, Early Greek Philosophy, p. 117.  See Bibliography.
[2] See article on Posidonius in the Princeton University article, http://www.princeton.edu/~achaney/tmve/wiki100k/docs/Posidonius.html
[3] Mead, G.R.S., Apollonius of Tyana, pp. 84-5.
[4] Gardner, Gerald B., High Magic’s Aid, pp. 29, 51.
[5] Gardner, Gerald B.  See Bibliography.
[6] Andro Man’s confession, quoted in Graves, Robert, The White Goddess, p. 432.

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